Disgruntled Korean War vet Walt Kowalski sets out to reform his neighbor, a young Hmong teenager, who tried to steal Kowalski’s prized possession: his 1972 Gran Torino.
A Clint Eastwood film, Gran Torino, is on it’s way and I couldn’t be any more put off than I already am. I don’t know what’s up with these whitey-gon-save-people-of-color movies. Hollywood can keep putting them out and I will never, ever buy that bullshit. Especially this one.
There’s nothing special about this film and it should not be glorified for putting Hmongs on the big screen. Because I can almost guarantee that the portrayal of Hmongs will be plain out silly and demeaning. It’s just one of the many films of it’s kind; Dangerous Minds, Freedom Writers, High School High, Knights of the South Bronx, and much, much more that escapes me right now. It’s not that I can’t appreciate a good story of an underpriveleged youth of color with little to no resources making good of him/herself, it’s two things about these movies that piss me off.
- It’s always a seamless, determined white person with a heart of gold that so desperately wants to help. (Manifest destiny, anyone?)
- The portrayal of aforementioned youth of color is pathetic. They’re usually shown as these helpless, remedial dummies that have no direction or desire for themselves.
I’ll just reiterate how badly I hate films like this. If anyone wants to waste their money to go see this shit, let me know how it goes. (If I haven’t already told you how it will be.)


I had the pleasure of seeing